:: download file :: listen on iPhone ::

Duration: 42:22 | 25.3MB | Mono |

My listener, turned friend, share her story of being a transgender woman. I have had some other transgender women on Ongline before. But they are usually at the later part of the transition process. I thought it would be nice to let people know in details of what the process is like, and hopefully inspire further understanding and compassion.

Cathy is generous enough to share her time and stories with us.

Lofty ideals aside, the week-long festival is basically a time for the minority group to gather, talk and share with the rest of the public.

Of course, any mention of sexuality – especially in regards to alternative sexuality – gets the belligerent religious zealots in our country extremely riled up. Picket signs and pitchforks get waved about as the scholarly exhibition is erroneously labeled as a hedonistic sex orgy. The surprisingly efficient cops come along and the festival is summarily banned.

With the potentially explosive issue being bantered about daily on the media headlines, there is a growing schism amongst the members of the GLBT community on how to deal with the unprecedented limelight. Even as the furore slowly dies down to become yesterday’s news, I think the issue has unearthed an unsettling rift in the community.

Despite our relatively small number, there is a clear separation of ideas amongst people like us: on one side we have the aggressive campaigners who advocate stridently marching for their civil rights while on the other, we have the more complacent gentlefolk who prefer things kept on the down-low without attracting much unwanted attention.

Time for war?

Speaking from the position I am in, it would be easy to just keep mum, hunker down and refrain from rocking the boat so to speak. Things are actually going good. Home life is doing fine, even after my recent coming out. Same for the workplace. Homosexuality isn’t a dire mental disease to be cured anymore and despite their own reservations, even the most conservative would hesitate to speak against it since it would contravene accepted medical practice. So publicly open homophobia amongst my colleagues is rare.

Being in a more fortunate place in life, isn’t it time to help our downtrodden brothers and sisters who are being discriminated against? I think there is a need to have someone literally out there and proud – and yes, shouting our slogans in public as well. Though I don’t see the need for twinkly pink parade floats careering down Bukit Bintang anytime soon, I think homosexuals and transgenders need a credible voice out there to make a gentle push for tolerance and change. Perhaps even an identifiable model to show that things actually do get better so that teens struggling with their sexuality would know for sure that a bright future is eminently possible.

And yes, though it would be a long time coming, I would like someday to repeal the damned antiquated 377A penal code. Having that particular Sword of Damocles perpetually hanging over our heads for the rest of our lives is a chilling prospect.

So yes, I am glad there are folks like the ballsy outspoken organisers of Seksualiti Merdeka who are willing to risk the painful brickbats of the conservatives to speak up for the issues close to our heart. People like these are the ones who made Stonewall happen. Though we might not have chosen these champions to represent us, that doesn’t make their sacrifices any less worthy of our respect.

There is more than enough hate in the world for people like us, we don’t have to add to it.

The banning of the Festival by the Malaysian Police is a fundamental disregard of the rights of the Malaysian Citizens to freedom of speech and expression.

Mr. Khalid Abu Bakar, Deputy inspector General of Police in his statement also shows blatant disregard to the Human Rights of the LGBT community in Malaysia, and clearly does not consider their rights as Human Rights.

We strongly urge the Malaysian authorities to reinstate the festival and celebrate the diversity that is truly Asia.

Poedjiati Tan & Sahran Abeysundara
Asian Representatives to the ILGA WORLD Board

The moral of the story permeates not only in the dialog but also in the explicit scenes of affection between Shireen and Atafeh and the displays of skinship. One must take a stance and be willing to take risks to change one’s circumstance. Given that homosexuality is a crime punishable by death in Iran, the movie bears a lot of risk for the people involved in the production of this film including the actors. Never mind that the film was shot in Beirut, Lebanon, the courage of the film’s crew is commendable for affording us the pleasure of peeking into an entirely plausible tribulations of a lesbian couple’s life in Tehran.

Apart from the occasional vagueness and abruptness in plot shifts of some scenes, this is a great movie to watch.

If you enjoyed the movie as much as I did or even if you haven’t, please show your support at http://www.takepart.com/circumstance

Circumstance Trailer. Link obtained from IMDB

So we are inviting you to submit your original artwork and creative pieces to the “Violence is Not Our Culture: The SOGI Project”. We will compile winning submissions and selected voluntary contributions into a bound plain paper notebook that is designed to raise public awareness regarding issues faced by the LGBTIQ community in Malaysia. By participating in this competition and contributing your creative pieces, you will help us say to all Malaysians, that in the face of violence, “silence is not an option” and that “violence is not our culture”.

KRYSS is an organisation that works with young people on the issue of discrimination and rights through creative platforms. KRYSS continues to adopt the vision that it was first founded on: “We are committed to a world where young people feel safe and empowered to be themselves, to define and express their own hopes, dreams and realities, and act upon them without fear of discrimination or violence. Where diversity, creativity and personal capacities are celebrated and nurtured, and each person regardless of gender is empowered in body, mind and spirit.”

Seksualiti Merdeka is an annual sexuality rights festival held in Kuala Lumpur, and represents a coalition of Malaysian NGOs and volunteers. “We believe that everyone in Malaysia deserves to be free from discrimination, harassment and violence for their sexual orientations and their gender identities. We believe it is our right to be responsible for our own bodies. We believe everyone is entitled to the freedom to love and the freedom to be, whether gay, lesbian, bisexual, transgender, intersexed, straight, asexual, pansexual, or simply fabulous.”

HOW TO ENTER

Theme: Artwork must send across the message that “Violence is not our culture” and that violence, stigma and discrimination against any member of the LGBTIQ community has no justification. Artistic as well as positive interpretations of the message is encouraged. The artwork may centre on any one or any combination of the Yogyakarta Principles ; or the 29 Ways towards an LGBTIQ-friendly Malaysia. The artwork may also use the six colours of the rainbow flag in any form or manner. Each artwork submission must be accompanied by an explanatory concept of the visual, written in either English or Bahasa Malaysia. Artists must also submit a personal message of their own to accompany each of their artwork submission.

Contest Eligibility. The competition is open to artists 18 years or older. Work must be original, and not photographs of the original. Original photography and original digital art are acceptable. Work will be judged on creativity, technical expertise, content as well as the artistic interpretation and effectiveness of the messaging. Artwork not meeting these four key criteria will not be considered during final judging. A bound plain paper notebook will be made from winning designs, so work will also be considered by ease of reproduction for this format and for the cover. Artists may enter as many works as they choose, but are only eligible to win one cash prize.

Voluntary Contributions. Artists may also enter voluntary contributions. Voluntarily contributed work must be original and can be in the form of photographs, artwork or poetry. Artists must submit a personal message of their own to accompany each voluntarily contributed creative piece. If creative piece is selected for reproduction, artist will be provided with one free plain paper notebook. Artists may only receive one free plain paper notebook irrespective of number of voluntary contributions selected for reproduction.

Media. Any two-dimensional medium reproducible by photographic process is acceptable. Three-dimensional work with a depth no greater than 3/8” is also acceptable.

Size. For those vying for the 1st prize cash award dedicated to designing the cover, artwork must be 21 cm (height) x 1.4 cm (spine) x 15 cm (width) x 1.4 cm (spine) x 5 to 10 cm (variable width for flip cover) with a bleed margin of 0.5 cm. See template (PDF file) attached. The width for the flip cover will depend on the artwork being submitted as cover design and the artist’s own decision. The design may be either vertical or horizontal.

Other artwork submissions (vying for the 2nd, 3rd and consolation prizes) must be 20.5 cm x 14.5 cm, with a bleed margin of 0.5 cm. The design may be either vertical or horizontal. Variations of any artwork submitted for the cover design may also be entered.

Format. All artwork must be sent as high-resolution (minimum 300 dpi) PDFs (recommended). High-resolution JPGs or Illustrator AI/EPS formats are also acceptable.

Cash Awards. Each of the winning artists will be eligible for Awards of Excellence. The first cash prize award of RM1,000/- will be given to the artwork chosen for the cover design based on the specifications provided above. RM500/- will be awarded for the second prize and RM300/- for the third prize. There will also be ten consolation prizes of RM200/- each. Artists may only win one cash prize.

Judging. Judging for the competition will be held a week after the closing date. Judges will comprise of both artists and activists of different backgrounds and experiences. Winners will be notified individually by phone or e-mail. Judges’ decisions are final.

Copyright. Artists may retain ownership over all their original artwork and voluntary contributions submitted. By entering their artwork and participating in this contest and project, artists hereby grant permission to KRYSS and/or Seksualiti Merdeka to reproduce the winning entries and selected voluntary contributions. Artists also hereby agree to KRYSS and/or Seksualiti Merdeka reproducing their artwork under the Creative Commons Attribution 3.0 Unported Licence. This license lets others distribute, remix, tweak, and build upon your work, even commercially, as long as they credit you for the original creation.

This work is licensed under a Creative Commons Attribution 3.0 Unported License.

Winning artworks will be featured alongside other LGBTIQ-centric text and visuals in the plain paper notebook. KRYSS and/or Seksualiti Merdeka reserves the right to feature all submitted artwork and creative pieces in other collaterals/printed matter for any purpose in relation to the documentation of violence, stigma and discrimination of the LGBTIQ community in Malaysia as well as in relation to the protection and promotion of the human rights of the LGBTIQ community in Malaysia.

To enter. Entries must be received by 11th September 2011. Entries should include full name of artist, mobile phone contact number, e-mail address contact, and a short bio (100 words) of the artist.

Entries must be e-mailed to: violenceisnotourculture @ gmail.com.

IMPORTANT: Both KRYSS and Seksualiti Merdeka are not responsible for the return of any artwork or if reproductions do not match the expectations of the artist. KRYSS and Seksualiti Merdeka reserve the right to use a standard cover for the plain paper notebook and to make any other alterations to the specifications of the bound paper notebook.

Full Article in Mandarin

On 7/30/2011, “Thomas”, 29 years old, and Apple, 27 had the distinction of being the first Malaysian lesbian couple to have their marriage publicized in two Malaysian newspapers, Sinchew Daily and The Star.

According to Sinchew, they were married in full traditional Chinese wedding ceremony complete with a roast pig offering to their ancestors. The wedding banquet were thrown for approximately 400 relatives and friends.

Thomas and Apple are both in the real estate business had dated for more than two years before deciding to tie the knot.

Johnson, the couple’s spokesperson at the wedding remarked “The couple, as any other couple truly in love, should be able to marry, have a proper wedding & banquet to celebrate their happiness with their friends & family.”

Support the couple by liking their facebook page

TiltedWorld applauds the newspaper and the journalist for covering the event in a positive light.

66 13-17 year old boys are currently engaged in such a camp right now. These kids were picked by their teachers based on their effeminate behavior.

These masculinity training camps are not new to Malaysia. The camps have always existed especially in higher education institutions. Gay activists in Malaysia are now afraid of the impact on the psychology of the children since the authorities are targeting a younger age group.

Whole article along with the mp3 file:

http://www.theworld.org/2011/04/malaysias-anti-gay-camp/

Frankly I am flabbergasted especially by the purported article written by a psychologist blaming effeminate behavior on parents who make boys do household chores meant for girls or dressing boys up in feminine clothing. Are Malaysian especially children not allowed to have any personalities anymore?
Everyone needs to come out of a heteronormal behavioral cast?

Are we seriously going to allow religious authorities or governmental entities to dictate personality and demeanor?

Shame on us.

All proceeds will be channeled to the Justice for Sisters Fund.
Below are the details:

JUSTICE FOR SISTERS Fundraising Concert

Date: Saturday February 12, 2011

Time: 2pm – 10pm

Venue: Black Box, MAP KL

Admission:

Show 1 (2pm – 4pm) RM 10 by donation

Show 2 (5pm – 7pm) RM 15 by donation

Show 3 (8pm – 10 pm) RM 15 by donation

Featuring:

chi too, Buka Kolektif, DUNG, Dara Othman, Davina Goh, Elaine Foster, Ferns , Furniture, Furious George feat Operasi Sabu (George Wielgus, Faisal and Kuning), Illya Sumanto, Kathleen Choo, KG, Krisis Halusinasi, Mei Chern, Nabila Nasir, PT’S Angels feat Sajad and Sharon, Priya K, Reza Salleh, Sheena, Tanjong, Think!Tadpole!Think!, Tshiung Han See

Press Release:STOP THE VIOLENCE AND PERSECUTION TOWARDS US
Press Statement by the Mak Nyah Community of Malaysia

Contact: Thilaga
Date: 30 November 2010

We are the Mak Nyah community and we are being persecuted by Section 66 on “Lelaki berlagak seperti perempuan” of the Syariah Criminal Enactment (Negeri Sembilan) 1992 (please refer to this section and similar sections in other states in Malaysia in Appendix 1). We have suffered mental distress, physical violence and even sexual molestation at the hands of the religious officers who enforce these laws. We are stripped of a life of dignity and deprived of our personal liberty, and we fear for our lives. We are unable to step out of our homes without the fear of getting harassed, abused or arrested. We are no longer able to go out or to eat and drink in public without the fear of harassment and abuse from the religious officers who enforce these laws. We demand that the religious authorities of the State of Negeri Sembilan and all its officers stop harassing, victimising and persecuting us for who we are.

In Negeri Sembilan where we live, we are forced to walk around without our brassieres as it is used as evidence against us upon arrest. We are “advised” by the religious officers to just wear t-shirts, track bottoms or men’s shorts. Despite following these instructions, we are still arrested on the basis that we physically look like women. We are sexually molested or our breasts are groped when the religious officers who enforce these laws insist on checking if we are wearing brassieres. We are sometimes made to change our clothes in full view of the religious officers.

We are instructed to plead “Guilty” by the religious officers and even by the state’s Legal Aid Bureau. Without proper legal advice, we plead “guilty” and as a result we are sentenced with heavy fines and sometimes we even face imprisonment. Under such laws, it is impossible for us to live and earn a living. Sometimes, we are also compelled to attend mandatory religious counseling sessions. We are Mak Nyahs. No amount of “counseling” or coercion can ever change that. All we ask is to be left alone and for respect of our personal and private lives. Such mandatory counseling we consider to be an infringement of our personal liberty.

We also suffer hardships in obtaining employment as we are discriminated against by employers on the basis of who we are. We suffer rejection in schools and in some institutions of higher learning. At the latter, we are sometimes required to attend boot camps in order to make us more “manly”.

As Mak Nyahs, we have the right to live with dignity like all citizens in Malaysia. We have the right to our identity, the right to self-expression in our dress and mannerisms, the right to respect for our personal and private life and the right to livelihood as other citizens in Malaysia. These are our fundamental liberties as enshrined in Articles 5, 8 and 10 of the Federal Constitution, the supreme law of the land. Any law that violates our rights arbitrarily is no longer good law.

These are also violations of our human rights under the Universal Declaration of Human Rights and the Jogjakarta Principles on human rights relating to sexual orientation and gender identity.

We ask the Legislative assemblypersons of Negeri Sembilan, the Negeri Sembilan Religious Department Directors and all other Malaysian elected representatives and leaders to stop the violence and persecution that has been targeted against our Mak Nyah community.

We appeal to all who believe in freedom under the Federal Constitution, human rights, non-discrimination and equality, to stand with us and join us in our call for the stop of the targeted persecution and violence towards our Mak Nyah community in Malaysia.

Disclaimer: Just know that I do not make any money endorsing the books that I review.  If I find a good book or author, I just want to share them with people because you and I both know how many bad ones there are out there.

If you are looking for an intellectually stimulating story or big epic romance, this isn’t the book for you.  Instead, go read Jeanette Winterson’s Gut Symmetries  or Radclyffe Hall’s  1928 Well of Loneliness. If you are looking for good ole American instant gratification,  simple and no-at all-straight sexy lesbian eroticism, revel in the sexiness that id Thirteen Hours.

Unless you are a hopeless dried up well, I guarantee you will be reaching for your partner, your favorite toy or your right hand within the first few chapters of the book.

There is no plot to give away other than its a prude meets stripper-who-is-actually-a-high-libidoed-veterinarian and they had sex happily ever after.

I have bought and read other OBrien fiction since and I must say this is the sexiest book of them all.

I have worked with KLPAC’s publicist on their first Hokkien production for my other podcast PenangHokkien.com. Recently, Valerie informed me about this fascinating production at KLPAC that I thought would be nice to share with TiltedWord.org’s readers. Even though the characters of Octopus are mainly gay, the subjects are definitely beyond GLBT, and you can surely bring along your straight friends with you. I hope you’ll get to share your opinions of the production back here, after you see it.

Listen to the audio interview with Kelvin Wong, the director of Octopus.

Kuala Lumpur, December 2010 – The Kuala Lumpur Performing Arts Centre (klpac) proudly brings to you Octopus by American playwright Steve Yockey, tackling increasingly common relationship quandaries with an edge, yielding thought-provoking results. Octopus premiered in 2008 with the Actor’s Express Theatre Company in Atlanta, Georgia, and will play in Malaysia for the first time.

After young couple Kevin and Blake engage in an adventerous and hastily planned night of “fun” with the older, more “experienced” Max and Andy, they are left trying to salvage their relationship from a pummeling mix of jealousy, betrayal, telegrams from a soaking wet delivery boy and a ravenous sea monster from the ocean floor. Rendered through post-modern lens, Octopus slips from domestic comedy into a dark fable examining the role and depth of commitment in relationships and what it really means to say the words “I love you”.

Lauded as experimental and queer-friendly, Octopus challenges audience members to reinterpret their outlook on emotional and physical struggles through the realism of relationships: love, commitment, lust and fear. These universal themes strive to speak to all, regardless of sexual preference nor orientation.

This production of Octopus is directed by klpac’s Director-in-Residence, Kelvin Wong and will feature an eclectic cast of household names like Malik Taufiq and William Quah, alongside up-and-coming writer Nandang Abdul Rahman and newcomers Jack Lua and Edmund Wong. Octopus will also feature original music from singer-songwriter Elvira Arul. Strictly for mature audiences only.

Dates/Time: 16^th December (Thursday) to 22^nd December (Wednesday) @ 8.30 pm

Venue: Pentas 2, The Kuala Lumpur Performing Arts Centre (klpac)

Tickets: RM38 (Adults); RM25 (Students and the Disabled)

Promotions: Buy 1 ticket for Octopus and 1 ticket for Birdy (Pentas 2 @ 2^nd – 12^th December) for RM60!

Box office: Call or Walk in: klpac @ Sentul Park (03 4047 9000)

Call or Walk in: The Actors Studio @ Lot 10 (03 2142 2009 / 2143 2009)

Online purchase/Location Map:  www.klpac.org

Others: Octopus will run for approximately 70 minutes without an intermission. Doors will open at 8.20 pm (10 minutes before the show). Strictly for mature audiences only (language, semi-nudity, nature of content).